TIPTOP TIME FABRIC PITCH SHIFT ZDSP CARTRIDGE disaster-aera-design or completely differently for a

or completely differently for a wider range of tones

Analog Dry Through — For most of the reverb engines and signal routing options the dry signal remains an analog signal and does not pass through the signal processor at any stage while the pedal in engaged

When connected to the microphone input on a typical mixer (800 ohms impedance or higher)

Add EQs and samples at your convenience

It’s a simple

TIPTOP TIME FABRIC PITCH SHIFT ZDSP CARTRIDGE disaster-aera-design or completely differently for aIt fucks with the fabric of time! Tony Visconti describing pitch shifting to Brain Eno and David Bowie in 1976. That not so subtle description does quite neatly sum up what the Pitch Shift programs on the Time Fabric card can do! Pitch shifting in the Z DSP uses a technique called rotating tape head delay lines named after pioneering tape based experiments in Germany in the 1960s. The tape heads move at speeds independent of the tape playback path and