L.A Polaroids - Robby Müller archiving But should we cede such

But should we cede such a fundamental human need to the market

and ingenuity

contemporary art is viewed here as a strategic bet on the social distinctions and value extractions made possible by claiming a different

is known for the unique and unassuming yet highly refined aesthetics applied to top-quality fabrics in their products

The attitude of GIORGIO ARMANI styling his many moons ahead campaigns photographed by alter ego ALDO FALLAI (written by PHILIP CLARKE)

L.A Polaroids - Robby Müller archiving But should we cede suchIn the 1980s, the acclaimed Dutch cinematographer Robby Mller spent months at a time away from home, collaborating with renowned directors such as Alex Cox and Wim Wenders to create some of the decades most influential films such as Repo Man, Paris, Texas, Barfly and To Live and Die in L. A.. After long days on set, Mller stayed at the Kensington Motel in Santa Monica, a simple apartment hotel just behind Ocean Boulevard and steps from the beach. He