Revue Faire #38 – A debate: Jan van Toorn, Wim Crouwel Bauhaus Gregor Hildebrandt saw a photograph

Gregor Hildebrandt saw a photograph by Will Steacy

ihre ästhetischen Methoden

its tantalizing vision of life beyond

His most recent work

until the last layer of urushi is finally perfected by one of the only two remaining polishers in Wajima who gives the inimitable shine of urushi by polishing the object with his printless fingertips

Revue Faire #38 – A debate: Jan van Toorn, Wim Crouwel Bauhaus Gregor Hildebrandt saw a photographCritical publications dedicated to the analysis of Graphic Design are sadly few and far between today, particularly in France, but also in Europe as a whole. Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Lopold and Franois Havegeer established in 2017 a printed publication that deals with these practices. This issue: Our scene is set in the Museum Fodor in Amsterdam on November 9th, 1972.