What the Mega Fuck! children helped Séclier understand Ando’s genius

helped Séclier understand Ando’s genius for siting and composition

and warehouse humour

and break new ground by allowing innovative

O’Doherty himself did not reveal the identity of his four alter egos until about 40 years later in his lecture “Divesting the Self: A Striptease”

She argues that Kraus’s 1997 I Love Dick marked the emergence of a newly performative

What the Mega Fuck! children helped Séclier understand Ando’s geniusBetween cabinet of personal curiosity and documentary corpus, this collection of images gleaned from the Web offers a contemporary vision of amateur photography. It questions the place, function, and sharing of vernacular images, but also the new social relationships this phenomenon illustrates. On the social networks and websites where these images are found, the content is often accompanied by the acronym WTF, signifying the bewilderment it causes a