Opernball | with Jonathan hell This perspective shaped how the

This perspective shaped how the process was held and how the painting emerged

die zum „Mensch im Wolfspelz“ umgewandelt wurde

Which offers an unconventional way to incorporate the ‘self’ into still life

Dieses Bild ist Teil eines Triptychon

desto abstrakter wird die individuelle Figur

Opernball | with Jonathan hell This perspective shaped how the"This painting was made after the Opernball, an evening built on surface and performance. Wealth staged as culture. Precision without warmth. A structure that appeared refined while feeling internally empty. Later that night, I painted with a friend, Jonathan. Years earlier, he had taken hallucinogens and was violently attacked during the experience. What followed was not understanding but containment: police, hospitalization, diagnosis. What stayed